Friday, 23 June 2017

When the battle's lost and won

Following straight on from my previous post, here are another three models for my Addiction Challenge. I'm on fire!

But before I congratulate myself too heartily on this small victory, it's worth noting that, in real terms, the number of models I said I'd paint has barely even been dented.

It's also worth noting that none of these miniatures are the new Primaris Space Marines or Death Guard models that everyone else is talking about. This is because I got my copy of WH40K 8th edition last night, so at my current rate of progress it should be at least another three years before I have anything painted and ready to share.


The Necromantic Ternion of Gshtaad, otherwise known as the War-Locked, is a trio of hexmasters affiliated to the small Chaos warband I showed back hereTheir original names have long since faded into obscurity, to be replaced instead by the arcane monikers they claim were handed to them by Gshtaad himself during a series of dark and impressive rituals involving much nudity, dancing, intoxication and human sacrifice. The usual kinda thing.

It is, however, far more likely they chose the names themselves – simply because they thought they sounded mysterious, foreboding, and maybe even kinda cool.

The Thaum-Augur

The Lorn Hierophant

The Reticulator

Obviously that depends very heavily on one's definition of 'cool'.

My decision to have multiple chaos sorcerers in such a small force grew out of an unshakeable desire to see three different characters, with different posture and poses, painted in different colours, all tied together by the of use of dirt, skulls, spikes, horns and the general tone of things.

In the end this meant they were ever-so-slightly converted from their original forms, with a few additions and removals to achieve the look I was after. Here's the obligatory work-in-progress pic for anyone who's interested.

The first two characters are simple Games Workshop conversions, but the metal chap, although sporting a few Games Workshop bits, is the Apprentice Mage from Andy Foster's Heresy Miniatures.

And here's my new score:


Hopefully more to follow soon.

Friday, 16 June 2017

Addiction, despair and a Chaos Lord of Nurgle

One hundred. That's the nice, round number that I somehow ended up choosing in a fit of unprecedented optimism the other day. It's a significant number that's going to have quite an impact on my life over the next few months. Probably even years. Maybe even decades*. Damn that optimism.

It was after ordering the new WH40K boxset, and the attendant 53 miniatures that come with it. I realised that I had just added a significant number of models to the hundreds (or perhaps thousands) of miniatures I have scattered around my home.

There are unpainted miniatures sitting on shelves, on my desk, in drawers, carry cases, blister packs, boxes and still unclipped on their sprues. It's quite possible there's a lifetime of hobby work awaiting my attention. It's a ridiculous backlog of unpainted, unprepared models, and I think it points to a fairly serious element of addiction at play within my collecting habits.

I'm probably not alone in this.

So after ordering the new WH40K and getting that tinge of regret you have when you've given in to a craving and done a bad, I thought I'd try to make amends.

I decided I wouldn't allow myself to buy a single new model or component** until I had completed one hundred models from my backlog. Yes, that's right, one hundred.

That was nearly two weeks ago, and right now I've still not got much to show for it.

Not much, but something. Enter one of the (seemingly) most popular Citadel models ever released: The Lord of Plagues.

Or, as I like to call my version, The Flesh Baron of Gshtaad.

I was lucky in that he was practically finished before I even set myself this challenge; he just needed a few minutes of work to complete. Fortunately my unspoken rules still allowed his inclusion, as anything that hadn't yet left my desk (at the time I started the challenge), no matter how close to completion, is fair game.*** But photographing old miniatures, or touching them up and calling them new, is a no-no.

I'll use this blog to keep track, and I'll try to be completely honest, showing a score at the end of any relevant posts. A score that currently looks like this:


Wish me luck.

*It wouldn't be the first time one of my hobby challenges stretches over 10 years.
**Tools and paint are allowed.
***In fact with nearly 200 models in various stages of progress on my desk, the aim of this challenge is very much to put a few projects to bed and clear some much needed space.

Tuesday, 13 June 2017

Into the Unknown: A Journey through Science Fiction at the Barbican 3rd June - 1st September

"We live in a world of science fiction.

"Once considered niche, science fiction is now all around us. The genre explores the mysteries of what is still to be discovered, and the power of human ingenuity to unravel them. Whilst doing so, it has created a rich iconography within the pages of novels and comic books and on the big screen, uncovering countless worlds, and revealing the hopes and threats of what lies just beyond our reach. This ever-elusive horizon and the will to approach it lies at the core of science-fiction.

"Depending on the period, the journeys taken by science-fiction can transport us to mysterious lands, cosmic expanses, megacities, virtual universes and within ourselves. As the real world seems to become smaller, science fiction fills in the blanks of the maps, looking for the next boundary to cross, and unveiling hidden dimensions. Today, science fiction's ever-growing corpus, wide-ranging in its themes and ambition, sometimes stills wears – ironically enough – its 20th century attire: lost lands filled with dinosaurs; swashbuckling space exploits to rescue princesses; spandex costumes to disguise the perpetrator of impossible but heroic deeds.

"As we begin to recognise the long-lasting influence of science fiction upon contemporary culture, it feels to be – alongside us – on the cusp of taking a bold leap into the 21st century, encouraging us to embark on a journey that is truly into the unknown."

So says the accompanying blurb to the Barbican's current exhibition on science fiction.

Yesterday, during a rare day off, while his older brother was at school, I took my two-year-old boy to see all the robots, spaceships and terrifying space alien props that make up much of this exhibit. It's jam-packed with models, drawings, films and books from over 100 years of science fiction – much of which would be easily recognisable to even a casual fan.

Here are some of the photos I was able to take in between cuddling my son and telling him that everything was going to be okay.

Some original Ray Harryhausen maquettes

Masks from Enemy Mine, Close Encounters and Species

Harvester bio suit from Independence Day

A Harkonnen chair by H.R. Giger for Alejandro Jodorowsky's unrealised Dune project

And a close-up of the headrest (for fans of servo-skulls)

Starfighter from Buck Rogers in the 25th Century

Spock's space suit from the first Star Trek film

Twiki from Buck Rogers

Sonny from the movie iRobot and, behind him, Robot B-9 from 1960s TV show Lost in Space

Of course, these photos hardly do the exhibition justice. There were plenty of other interesting props and costumes throughout the exhibition, not to mention all the films, books and artists' installations dotted around the place. So if you're interested and you want to see it for yourself you could start by checking out the Barbican website here.

Tuesday, 30 May 2017

Aedes servoloader

I think there's a sweet spot that's worth aiming for when chopping up models to kit-bash. It's where the original set provides enough interesting parts to form the basis of two or more new models. It's like maximising the return on investment, where the investment is tiny bits of plastic, and the return is nerd-fuelled, children's toys.

In an earlier post (about making urban scatter terrain), I mentioned I had removed a few extraneous parts from some cheap toy cars I was turning into abandoned wrecks. One of those parts was easily interesting enough to help me reach that aforementioned sweet spot. If you've just clicked on the link it was the bright red crane section on the back of the black, police tow truck. It looked like a fairly decent component on which to base a more sci-fi-esque model crane, but add in the Turret Platform and one of the turret kits from Puppets War and the model practically built itself.

In what is fast becoming the norm with all my one-off projects, Games Workshop released their own model crane, last month, just as I was getting started on mine. Normally, seeing them whip out something amazing, just as I'm planning my B-list version, is quite demoralising. But, fortunately, on this occasion it just motivated me to plough on and get the thing finished.

So the Aedes servoloader was born. It's a mobile mini-crane which I've added to the other vehicles and scenery that represent civilian/industrial life in my Imperial Hive City, Kruenta Karoliina Arx Rotunda.

Once it was built I decided to use it to practice both my airbrush and freehand painting skills. These two techniques seem to cause me untold problems, and I'm always a bit nervous about trying them in case they end in abject failure – especially now that I document everything with this blog.

And, although both attempts did indeed end in abject failure, I was at least able to hide most of the airbrushing mistakes by adding plenty of weathering. Alas, my kindergarten freehand was not so fortunate, and there wasn't much I was able to do to make it look any good. I'm referring mainly to the letters MMXV on the jib, although I'm sure the discerning critic will find plenty of other things to dislike.

Could MMXV be some kind of instruction to anyone having to service or operate the thing? Or is it perhaps short for Mechanised Motive eXtraction Vehicles, a competitor to a firm I've mentioned in the past, Kruenta Demolition and Construction

Or is it simply the year, in roman numerals, that my youngest child was carried forth into this world?

Monday, 8 May 2017

The Giant Robo Alphabot, part eight

Robots often seem to take the role of baddie henchmen in major science-fiction films. I guess their blank, expressionless exteriors, and similarly unemotive personalities, make them perfect to represent the soulless, unempathetic forces of evil.

This lack of humanity also makes them nicely expendable so the movie's hero can dispatch hundreds of them without becoming a brutal mass-murderer. Perfect when you absolutely have to fill your film with explosive spectacle and against-all-odds heroism.

These next two robots have both been mass-produced (admittedly in fairly limited numbers), to act as troops in the climactic final showdown of Hollywood action films.

Who doesn't love the original Robocop's ED-209? (Obviously the executive in that boardroom scene probably wasn't much of a fan.)

A slightly less well-known, but equally glitchy, bad guy robot, this time from Iron Man 2

Saturday, 29 April 2017

Sisters of Psylence

When the benevolent (despotic) Emperor of Mankind sent his armies out to re-unite (conquer) the galaxy, his fleets were sometimes accompanied by the silent Black Ships. Silent Black Ships full of warrior women on a silent mission – all sworn to a vow of silence.

I don't know about you, but to me, that last silence was at least one too far.

Why would the Sisters of Silence be forbidden to speak? Other than to give them a cool-sounding name, of course. Surely not being able to speak to one another is a bit of an operational handicap?

Anyone who has read any of their background material knows that the Sisters carry the mysterious pariah gene, making them untouchables, or null-pyskers. They create localised fields where psychic powers simply don't work. Something like a radio dead zone for witches. Their mere presence literally silences the powers of nearby Psykers.

Therefore a simple tweak to the spelling of their name could have made a great deal more sense. Psilence or Psylence would neatly describe their tactical abilities, and no-one would need to take that strange and detrimental vow.

Anyway, up until recently it had been very difficult to find suitable models of these enigmatic null-maidens. In fact, before Games Workshop released the Burning of Prospero boxed game, pretty much the only way to field a mildly accurate representation of a Sister was to convert or create one from scratch.

So that's exactly what I did.

And with terrible timing that is becoming quite a trend for me, I managed to commence my little project mere weeks before the official models were announced.

So now everybody and their aunts has whole squads of Sisters running around their battlefields, and I've only just finished converting two of them.

The eagle-eyed among you may notice I cheated a little. I was struggling to find ladylike arms in my bits box, and, being somewhat demoralised by all the completely finished units springing up on the internet, I decided just to 'borrow' a couple of parts from the now-commonplace Sisters sprue. So I definitely lose marks for originality, but on the plus side at least they are both finished*. As General Patton said, "a good plan today is better than a perfect plan tomorrow". And although I doubt he was talking about miniature model making at the time, I think the wisdom is still pretty relevant.

*Finished for now, that is. As much as I like two-tone grey, with green accents, I am aware I still have to paint them.

Friday, 7 April 2017

Generic sci-fi, industrial, multi-layered, run-down, semi-Gothic scenery

I've been working on the first piece of terrain for my Imperial hive city, Kruenta Karoliina Arx Rotunda. As the initial model it's also the test piece, where I get to try out some of the various techniques I'm hoping to employ across the whole project. You can see an old White Dwarf article detailing some of the main ones here.

On the up-side, all the experimentation makes it quite exciting to build, but on the down-side it takes an already long construction phase and draws it out even further.

So although I first started working on this several months back, I'm only just now getting to a stage where it's beginning to take shape.

Here are some work-in-progress pictures.

Start with a plain base
Add four tins of chopped tomatoes
Plus a second layer of your choosing
Put it all together and struggle to maintain the slightly silly allusion to pizza
Check the other side is done properly

There's a lot of detailing left to do, especially on those tins, and I think I may add a little extra height in the form of a partial third layer at the top, but generally I'd say I'm fairly happy with how it's coming together.

So with that in mind, let's see how long it takes me to get a point where I'm willing to get the paints out and call the whole thing done.

Monday, 27 March 2017

The London Festival of Railway Modelling

Something unexpected happened this weekend. My little brother (who's not so little anymore) called me up and invited me to Alexandra Palace in North London. It was lovely weather and it seemed like a good idea to get my kids out of their mum's hair on Mother's Day.

But we weren't just there to enjoy the sunshine. We were there for an event.

This event

The London Festival of Railway Modelling.

I've noticed that over the last few years the festivals I've been attending haven't involved as much dancing in muddy fields as they used to. Nevertheless there was enjoyment of a different kind to be had.

Railway modelling is a little off topic for me and my science fiction/fantasy tastes, but I often think of the guys that do it as the Dutch Masters of the hobby world (to my struggling artist, perhaps?). So I spent the morning walking around the exhibition with the kids, showing them Thomas The Tank Engine models in various scales, while I checked out some of the less cartoony set-ups from these old, miniature-model-making experts.

And there were plenty of displays that inspired me to point a smart phone at them. Scanning the photos I took, it's clear to see I was more interested in the industrial-looking dioramas than the country villages. And this makes perfect sense as that dirty, mechanical aesthetic is much more likely to offer inspiration and reference for WH40K models, than an idyllic English village from the 1950s.

Here are the pics I took:

Thursday, 16 March 2017

An interview with Sean Patten from

In today’s post prolific scratch builder Sean Patten, the man behind and the stunning, spawling Necromundicon terrain, talks us through some of his inspiration, interests and experiences, and offers a few tips for constructing models and scenery.

Hello Sean, thanks for taking the time to speak to me. You’ve been interested in miniature model making and the WH40K universe for many years now. Do you remember what initially drew you to it? Do you still have your first mini?
In grade school, growing up in California, I was exposed to a copy of D&D my mom picked up (she’s pretty cool – a SF&F writer, so I had good connections). I didn’t play it per se, but loved poring over the maps and modules, reading about monsters, and even pushing around some poorly painted metal figures. I started drawing my own crude maps on graph paper… but I really started gaming in earnest in High School, playing RPGs with my friends – Gamma World, Traveller, Car Wars – just pen and paper back then. In college, I ran a Gundam RPG and used model kits for the combat. Then I ran into Rogue Trader at the local game store, and everything changed... I started by converting some plastic army men and dinosaurs, but eventually picked up a copy of the RTB01 plastic Space Marines, and devised my own chapter – the Storm Horses. I think I still have them somewhere... I also got some of the first Eldar Aspect Warrior miniatures – the models were so nice, I had to do a proper paint job on them – I still use them today. My paint skills have gotten a lot faster, but not much better...

I first came across your work with the fantastic Necromundicon city terrain you made for WH40K about the time Necromunda was released. What inspired you to build all those incredible models, and then put them online?
After college, my friends helped me get a job in the video games industry. Earning a living doing paper games was near impossible back then. But I still managed to find time to play those kind of games at home, and work on terrain. For my old Gundam games I had made terrain out of packing foam and cardboard laid out on the floor. In college, my 40K terrain consisted of architectural drawings printed out and pasted onto cardboard boxes. I knew I could do better, and set to converting toys and model train buildings into terrain for our games. I’ve been a longtime fan of urban exploration, and wanted to capture the feeling of exploring abandoned buildings and industrial sites, but in miniature. Necromunda’s urban setting was fun to achieve, making terrain gritty and industrial however I could. My friends encouraged me to make a website, so I taught myself the utmost basic skills in html and Necromundicon was born. Once I figured out how to make and modify a table, my web design growth stopped – which is why my site is still so clunky! I really should spend more time on it, but given the choice of website or models, I always choose models. Or games.

Some of the Necromundicon terrain, much of which dates back to the 1990s

Do you still add to your 40K collection?
I do. Work keeps me super busy, but as the kids get older and more self sufficient, they are actually the main audience for my games and projects. They're in Middle and High School, the golden age of gaming. Old enough to watch Fury Road, but young enough to have time and enthusiasm for campaign games! Currently I’m running a Rogue Trader RPG for my kids and friends. Finding players gets harder as you get older and have less free time – so it’s nice the kids enjoy playing, and I often pick up players from work. A maybe-not-so-surprising number of video game developers like tabletop games. We even play at lunch now and then. Fortunately, I have a healthy collection of terrain and minis, so I can concentrate on special projects like scratch-building ships for our campaign. There's a thread on Dakka Dakka here where you can see what we’re up to.

The scratch-built fleet from Sean's current Rogue Trader RPG

Those ships look brilliant. Beautifully detailed. You have a fascinating ability to spot discarded household items and repurpose them for your miniatures. I remember you suggested using old hair curlers as the cages around tall ladders. Where do you get these ideas? Do you have any favourite re-appropriations?
The more you build, the more your eye is trained to look for things that could be useful. Studying reference photos and real environments comes naturally to me. The stuff I’ve found most useful is anything that I can get a lot of, especially plastic bits that have lots of detail. I used to collect obscure discarded electronics and parts, but if you figure out what to do with them and you only have one, it’s kind of a dead end. I constantly find uses for CPVC pipe fittings, electrical work boxes, VHS cassette cases and reel hubs, plastic clothespins, sprinkler cutoff risers, plastic levelling shims, cross-stitch grating, and on and on. The lock rings from Minute Maid juice bottles are particularly cool looking. Recently I discovered Tropicana juice lids, which make excellent gothic exhaust ports, but even better Eldar terrain.

A 40K scale, scratch-built Thunderhawk Gunship from over 15 years ago

We can see that Eldar terrain on your Dakka Dakka link above, right? How does the idea for a model come to you? Do you tend to start with components you’d like to work with, or is it more about having a model you’d like to achieve? Is there a lot of experimentation during a typical project, or do you have fairly accurate plans right from the off?
Often when I’ve found a new material to work with, I just monkey around trying it against other parts to see what looks cool. But other times I’ll have a deliberate functional piece in mind, and sketch it out in a crude little sketch book. I can usually remember the size and shape of a lot of materials, and identify them in the sketch. This is a more recent workflow, discovered when riding the bus (time to sketch). It can save a lot of staring at parts at home, and time is my most precious resource these days...

Ork minelayer, built around a large plastic bottle

If only there were more hours in the day… Got any tips you can share?
Don’t be afraid to just try something, with the understanding that if it ends up looking lame, you can always rip it off and try something else. Also, the more you can have of a material, the more things you can try, and if you find a combination you like, you can mass produce it. And when painting terrain, try to use more than one color. Just a few washes and a bit of drybrushing can make your work look amazing, especially if you put some effort and texture into its construction.

Another 40K scale, scratch-built ship

Do you have any tricks for adding texture?
Of course! I love rivets, and add them to anything I can. Here's a tutorial for the different methods I use. I also love brick – I often start with O scale train buildings just for their brick and stone textures. You can buy corrugated and diamond plate plastic from hobby suppliers, but you can also use Zip Ties, Floor Shims, Cross-stitch Grating, and Fluorescent Lighting Panels to make interesting looking wall and floor paneling. And of course, when all else fails, drill holes in it!

Sean's gun turret, part of his Necromundicon project

Good tips, thanks. Plus some excellent ways to add rivets in that tutorial. Your site is jam-packed full of great tips and tricks. Have you ever written anything for Games Workshop?
I was contacted by Fanatic magazine back in the day, to do some articles on terrain (mostly stuff from my site, which they must have found). I contacted the White Dwarf crew much later, and managed to get a couple articles done for them – that was pretty cool.

Sean's article on Eldar terrain, from issue 309 of the US White Dwarf
And his cooling tower from issue 314

Do you have any connections with any other commercial gaming organisations?
WizKids asked me to make a couple of terrain tables for them – one for Mage Knight, and one for Mechwarrior. They were fun projects, I never worked on anything so big. I discovered some new techniques working on those, like using sound dampening board and pine bark for natural terrain. The sound dampening board I'm talking about is basically just pressed paper shreddings, so it is easy to tear by hand, and it yields very organic shapes.

The 8' x 4' MechWarrior table
And a shot showing part of the beautiful Mage Knight display table

Your site contains stage by stage articles on the construction of a lot of the things you've mentioned (the MechWarrior table can be found here, for example). But it's not just terrain you tackle, is it? You have a tonne of other related projects, many of which break away from the WH40K or WizKids universes. Which ones have you enjoyed the most?
I love making props, stuff you can wear or play with. I don’t have as much time or space for props as I used to, but it’s fun to see how good you can make something look, even if it started as just a Nerf gun or some foam. Making or repurposing terrain for other aesthetics is a nice break, like the grungy sci-fi of Votoms and Star Wars, to the post-apocalyptic chaos of Gamma World.

A tiny portion of Sean's extensive Mordheim scenery

You clearly love modelling and painting, but you also play a lot of games, right? You mentioned Star Wars and Gamma World. Which games are your favourites?
I’m more of a co-op guy than competitive. As a result, I don’t even play with the official 40K rules! For example, I made alternate rules for Space Hulk that let you play co-op against automated enemies (you can see them here). This makes games more approachable for my kids too – we can play together instead of against each other. Other games we enjoy are Galaxy Trucker, Relic, and Flash Point Fire Rescue. We also play PC and console games together, like Terraria and Borderlands. As I mentioned earlier, professionally I design video games, so I like to take a break from work... by designing tabletop games!

Do the skills from making tabletop games help you when working on video games?
Well, as an example, when designing and laying out the strongholds and wilderness spaces in Shadow of Mordor, I found that having an eye for combat, traversal, and exploration spaces really came in handy.

Sean's Imperial War Train rumbles through an industrial sector

That makes a lot of sense. Where does your inspiration come from?
Star Wars was a pretty big influence when I was a kid, especially the used-technology aesthetic. Films like Blade Runner, Alien and Road Warrior have been a strong visual inspiration. And John Woo’s Hard Boiled is a cool example of extremely close range combat in urban settings. In fact my urban exploration adventures were always more fun when I imagined them in a dystopian or post-apocalyptic setting. I used to explore the Coastal Defense Gun Emplacements around San Francisco, and, since moving to Seattle, have explored more in the Puget Sound and around the mouth of the Columbia river. I’ve taken photos of all manner of industrial compounds, ruins, and the like, and found even more impressive photos online by others so inclined. And of course, the 40K universe and Mordheim have inspired an interest in gothic and classical architecture.

A photo from Sean's recent exploration of Fort Worden

You mentioned Star Wars there, you're clearly a fan. The Force Awakens or Rogue One?
Rogue One, of course! I always liked Episode IV the best of the original trilogy... the galaxy seemed so much bigger and more wondrous than in any other Star Wars film. Returning to that time period was really satisfying, and it was refreshing seeing characters that were more morally questionable, and expendable – it meant the villains could be a lot more believably dangerous than usual.

It was a great film. I’ve heard people say the first half was a little boring, but I didn’t find that at all.
Yeah, the pacing is very different from A New Hope. But it still managed to make the universe feel huge. They totally nailed the tech aesthetic from ANH – I love all the black control panels with panel lines and heavy lights and switches... Droids, weapons, armor and vehicles, all felt so tangible. We’ve lost that tactile feel to our technology in real life, I fear.

But it’s still very apparent in your industrial terrain. Do have any hobby plans for the future that you can share with us today?
I’ve been working on a little co-op Star Wars board game, and I have plans this summer to start up a Gamma World campaign again – this time, with my own rules system to keep the game moving at a good pace! As an RPG based on D&D mechanics I find it a little clumsy and archaic compared to modern RPGs, but I love the theme. All the RPGs we play are just an excuse to play more narrative minis games, really. We use miniatures for all our gaming! My Star Wars Adventures game makes use of minis from Imperial Assault and the Star Wars Miniatures game. The IA minis are way better quality, but expensive and require painting, whereas with the SW Miniatures game the figures were pre-painted, so that speeds things up a bit and they can be handled with less care.

Speed – such an important aspect of this time-consuming hobby. It’s so easy to get bogged down in long, drawn-out projects. So on that note, thank you for dedicating so much time to this interview. I really appreciate it. And I can’t wait to see what you build next.

Sean's website, Iron Hands, can be found here, and includes links to many of his incredible projects, rules sets, and tutorials.